The Psychedelic Beauty of Destroyed CDs

Like a lot of young people expanding up in the early- to mid-aughts, Russian photographer Rus Khasanov used an obscene amount of money of income on CDs. He exhibited his favorites on a shelf—Eminem’sThe Marshall Mathers LP,Amy Winehouse’sBack again to Black,assortedHarry Pottersoundtracks—and safeguarded the rest inside black faux-leather-based binders, managing the discs with utmost care.

Photograph: Rus Khasanov

Young Khasanov could have hardly ever imagined the abuse he now inflicts on them. For his sequenceDisctortion, Khasanov burns aged CDs and DVDs with a lighter, dips them in bleach, and rips them aside with his palms. By destroying the discs and photographing them up near, he gives this useless-conclude technological know-how new life—as psychedelic leisure for the eyes. “It’s wonderful to see all these vivid, multi-colored textures and know it is just a image of a bodily item,” Khasanov suggests.

Photograph: Rus Khasanov

In 2006, Khasanov acquired his first MP3 participant. He stopped shopping for CDs a few a long time later and now he doesn’t even possess an external disk drive—much much less a boombox—to enjoy them on, preferring to stream all his tunes by Apple Audio. But in October, although going for walks down the road in Ekaterinburg, he spotted a glint of daylight reflecting off a nineteen nineties Russian pop compilation lying on the highway, causing it to shimmer with all the shades of the rainbow. Khasanov hurried property, unearthed his neglected collection, and photographed a scratched disc up shut. The outcome “hypnotized me,” he claims.

Photograph: Rus Khasanov

3 frenzied days of destruction followed. Sticking CDs and DVDs in the freezer made frost and h2o droplets that magnified the iridescence beneath. Burning the metallic saucers formed bubbles and cracks on the polycarbonate surface—but the fumes were harmful, so he stopped. He illuminated the warped discs with LED panels and photographed them by means of a macro lens, capturing swirling tie-dye styles that glimpse like much-out screensavers. Although he blasted them with compressed air beforehand, he nevertheless experienced to devote hours dusting them in Photoshop. “Under a macro lens, the smallest specks seem like pimples,” he suggests.

Later on, Khasanov dumped the broken albums and movies in the trash. But they stay on digitally—not only in sound, but also in sight.

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